Compressor before and after distortion is a crucial aspect of a signal processing chain. Without distortion, the audio signal is not completely distorted by the compressor. So the proper compressor is essential in helping to handle and manipulate audio signals without causing any damage to them. Choosing the right compressor can make or break your final product.
The compressor must be able to accurately measure the signal levels it is dealing with. If the compressor cannot accurately measure its input level, then you are doing it wrong. Also it should be able to adjust the levels during compression. Make sure the compressor is able to do this easily. It should be able to compress any signal into a comfortable range that the listener can handle. Also it should have the ability to create a “volume” at which the output signal should be combined. This volume may not be a realistic or natural one and if it’s not controlled properly, distortion can be an issue.
Compressors have many kinds of controls and meters and will vary greatly from one compressor to another. One should be able to find the compressor that is best for them based on their needs. When dealing with a compressor before and after distortion, you want to have a quality unit that can give the maximum out of your compression. The control meters in a compressor should be easy to understand, readable and give good feedback. The controls should not interfere with the other sound. Also a compressor before and after distortion should not cause any distortion. After some practice, you will be able to identify what kind of compressor you need for your sound and the type of distortion you need.